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  "adventures" contents  

My Earliest Art

My Earliest Art Cartoons and Pen-and-Ink Drawings

rt was everything to me in my teenage years. I did well in my other classes at Minneapolis Central High School (I was valedictorian of my class of 385) but I felt that art was the only way I would be able to distinguish myself. I was not an athlete, and I was by nature shy. So I devoted every spare moment to creating art. My theory was that the harder I worked at a project, the better it would turn out. I drew cartoons and comic strips and made enormous drawings in India ink, working with a tiny little fine-point croquille pen. I drew a regular cartoon strip for the Minneapolis Star & Tribune which ran in a paper they published for their army of newsboys (I was one of them). I remember trying to make the strip look as though Milton Caniff had done it (of course it was not that good). Gradually, I became aware of the limitations of working only in black and white. That was when I discovered the work of the great illustrator Albert Dorne and began working, as he did, in colored inks. Oil painting still lay in the future.


Me, about 15 years old.

I bought the windsor chair in a junk store because I had seen pictures of Norman Rockwell using one. My mother made the white curtains to add to the studio effect. On the drawing board is a pen-and-ink of the three ships of Columbus — a summer-long project. I was very serious about it all.


Senior Scholastic Magazine Cover, 1952

I was 16 when this was drawn in India ink, using a croquille pen. I was trying to emulate my new hero, Norman Rockwell. In fact, there is one of his Saturday Evening Post covers tacked to the side of my taboret, and a book about him, with his picture on the cover, can be seen on the shelf of the taboret.

Pen-and-Ink Drawing, 1952

I had not yet begun to paint in oils when I made this unflattering drawing of my father and brother. I was fascinated by the challenge of making huge drawings using a tiny fine-point pen. I tried to load in as much detail as possible. Later, when I began to paint in oils, I had to "unlearn" this approach.

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