Introduction

Robert A. Anderson:
The View From
Brush Island Road


Margaret Baumgaertner:
The Great
Russian Artists
     Ariane Beigneux
with Nancy M. Stember:

Painting Children's Portraits


Richard Ormond
and Elaine Kilmurray:

The Portraits of
John Singer Sargent


Paul Newton:
Southern Exposure


John Howard Sanden:
Commentary


John Howard Sanden:
The Adventure of
Portrait Painting


Chris Saper:
Portraiture and
The Pursuit of Excellence


Richard Whitney:
Painting the
Visual Impression


Special Features:
Philip de László
Paints a Portrait


Current
Portrait Reviews


Contemporary Masterpieces
We Admire


Exhibition Reviews

The Ten Greatest
Portraits Ever Painted


Hall of Fame of American
Portrait Painting


Studio Techniques

Reviews of
Equipment & Supplies


Book Reviews

Contributors

Contact Us

Home


newton articles index  

Portrait 1 2 3 4 5 6 7 8 9
Recent Portraits

Cardinal Clancy, 2005/6
Oil on canvas, 42 x 29 inches (107 x 74cm)

When I began to compose this portrait I had in the back of my mind Velásquez' quintessential portrait: Pope Innocent X, and also Sargent's Dr. Pozzi. I believe the red on red theme that appears in both of these works helps in large measure to make them so powerful. In Cardinal Clancy's portrait I painted the background drapes a rather cool red using alizarin crimson as the main ingredient, and by contrast the cardinal's robes are a very warm orangey red, as I principally used cadmium red light. Because of the timeless and traditional nature of a cardinal's robes I felt the stone column (representing the cathedral building) and velvet drapes in the background would best support the mood I wanted to evoke in this picture.

I have tried to capture a mixture of fragility and strength in the cardinal's expression. Cardinal Clancy, now in his mid eighties, was formerly the Archbishop of Sydney, and this portrait was commissioned in his honour, to hang in St. Mary's Cathedral House.

Portrait 1 2 3 4 5 6 7 8 9
newton articles index  

Site created by A Stroke of Genius, Inc.